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The African hemiola style, based on the asymmetric rhythm pattern is an important rhythmic technique throughout the continent.Nigerian music also uses ostinato rhythms, in which a rhythmic pattern is repeated despite changes in metre.
Ganja" Owoh, whose distinctive toye style fused jùjú and highlife.Nigeria has some of the most advanced recording studio technology in Africa, and provides robust commercial opportunities for music performers.Ronnie Graham, an historian who specialises in West Africa, has attributed the success of the Nigerian music industry to the country's culture—its "thirst for aesthetic and material success and a voracious appetite for life, love and music, [and] a huge domestic market, big enough to sustain artists who sing in regional languages and experiment with indigenous styles".Fuji was a synthesis of apala with the "ornamented, free-rhythmic" vocals of ajisari devotional musicians and was accompanied by the sakara, a tambourine-drum, and Hawaiian guitar.Among the genre's earliest stars were Haruna Ishola and Ayinla Omowura; Ishola released numerous hits from the late '50s to the early '80s, becoming one of the country's most famous performers.
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